Eva Koťátková, Daydreaming Workstation, 2022, documenta fifiteen: OFF-Biennale Budapest, Bootsverleih Ahoi, Kassel, 2022, photo: Frank Sperling
 Exhibition view, Eva Koťátková, Interviews with the Monster, La Casa Encendida, Madrid, 2022, © La Casa Encendida/Galerna, 2022
 Exhibition view, ARS22, Kiasma, Finnish National Gallery, 2022, photo: Petri Virtanen
 Exhibition view, Eva Koťátková / What Does a Turtle Feel Through the Carapace?, Bildmuseet Umea, Sweden, 2022, photo: Mikael Lundgren
 Exhibition view, Eva Koťátkova, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátkova, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
 View from the exhibition "Eva Koťátková, Dominik Lang, Anna Žofie Langová: Flying Rescue Station - In reparation", FUTURA, Prague, 2021, photo: Jan Kolsky
 Eva Koťátková, Interview with a Monster, 2021, installation view from the exhibition "Vladimír Skrepl: Remixed and Reimagined", DOX, Prague, 2021-2
 Eva Koťátková, untitled, 2021, view from the exhibition "Fenomeander", DOX, Prague, 2021, photo: Jan Slavik
 Flying Machine 2, 2013
 from the series Not how people move, but what moves them, 2013
 collage works on paper, from the series Body Parts, 2016
 collage works on paper, from the series Parallel Biography, 2011-3
 
 
 
 Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
 Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
 Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
 Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
 Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
 Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
 Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
 Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
 Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
 Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
 Eva Kot'átková | In the Body of a Fish out of Water, installation view at Kestner Gesellschaft, 2019/2020, photo: Raimund Zakowski
 Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
 Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
 view from the exhibition Confessions of a Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
 Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
 Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
 Room for Restoring Empathy, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
 Eva Koťátková, Notes of a Reclining Body, Piping System Report, 2019
 The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
 The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
 The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
 The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
 Eva Koťátková, A Sleeping woman goes into Battle, 2018, at hunt kastner, 2018
 Eva Koťátková, Institution - Pause, 2018, at hunt kastner, 2018
 Eva Koťátková, from the series Woman in a Box, 2018, hunt kastner, 2018
 Eva Koťátková, Woman in a Box (Notes on a Play that Probably Never will be Finished), 2018
 Eva Kmentová: Woman in the Sun, Eva Koťátková: Woman in a Box, exhibition view, at hunt kastner, 2018
 Head no.3: Nervous Head (Insomnia), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
 Head no.2: Busy Head (Hearing voices hallucination), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
 The Dream Machine is Asleep, 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
 Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
 Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
 Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
 Diary no.3 (I-Machine), 2018 (detail). Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
 Cutting the Puppeteer’s Strings with Paper Teeth (Brief History of Daydreaming and String Control), 2016 (detail). Kunstmuseen Krefeld, Collection of the Freunde der Kunstmuseen Krefeld e.V. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
 View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan
 View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan
 View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan
 View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
 View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
 View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
 View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
 Stomach of the World, 2017, screenshot from the film, 46"16'
 Stomach of the World, 2017, screenshot from the film, 46"16'
 Stomach of the World, 2017, screenshot from the film, 46"16'
 Stomach of the World, 2017, screenshot from the film, 46"16'
 Office for eyes, nose, tongue, mouth, hand, heart and mask (that covers it all), 2017, Kolumba Art Museum, Cologne, DE
 Reconstruction Of Heinrich Welz’s Diagrams Of Thoughts, 2015 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Educational Model, 2010 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Architecture of Sleep, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Anatomical Orchestra, 2014 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Anatomical Orchestra, 2014 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Hugo Rennert’s Influencing Machine, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Fox Trap, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 Group Therapy No. 23, Becoming the Object Again, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
 untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
  Room-Trap or Database of Tormented Objects, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
 untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
 untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
 Documents of Violent Actions that (maybe) Happened Last Week, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
 Documents of Violent Actions that (maybe) Happened Last Week, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
 
 
 
 
 
 
 
 
 
 
 
 unlearning instinct, installation view, rurart, 2013
 psychological theather (the feral child case), 2013
 unlearning instinct, installation view, rurart, 2013
 unlearning instinct, installation view, rurart, 2013
 unlearning instinct, installation view, rurart, 2013
 unlearning instinct, installation view, rurart, 2013
 psychological theather (the feral child case), 2013
 unlearning instinct, installation view, rurart, 2013
 taking a walk, 2005
 drawing machine, 2006
 walk to school, 2008
 walk to school, 2008
 sit straight, 2008
 walk to school, 2008
 walk to school, 2008
 sit straight, 2008
 dictation, bolzano 2009
 dictation, bolzano 2009
 dictation, bolzano 2009
 dictation, bolzano 2009
 dictation, bolzano 2009
 dictation, bolzano 2009
 controlled memory loss, 2010
 controlled memory loss, 2010
 controlled memory loss, 2010
 controlled memory loss, video, 2010
 controlled memory loss, 2010
 controlled memory loss, 2010
 controlled memory loss, 2010
 controlled memory loss, 2010
 controlled memory loss, 2010
 controlled memory loss, 2010
 two cases, brno, 2011
 two cases, brno, 2011
 two cases, brno, 2011
 two cases, brno, 2011
 two cases, brno, 2011
 two cases, brno, 2011
 gugging, austrian cultural center, 2011
 gugging, austrian cultural center, 2011
 gugging, austrian cultural center, 2011
 gugging, austrian cultural center, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 works on paper, 2011
 re-education machine, lyons biennale 2011
 re-education machine, lyons biennale 2011
 re-education machine, lyons biennale 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 work of nature, 2011
 not how people move, but what moves them, 2012 - 2013
 not how people move, but what moves them, 2012 - 2013
 not how people move, but what moves them, 2012 - 2013
 not how people move, but what moves them, 2012 - 2013
 not how people move, but what moves them, 2012 - 2013
 Speech Organ of Anna, A girl who pronounces words from the middle from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe
 Speech Organ of Anna, A girl who pronounces words from the middle from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe
 Speech Organ of Anna, A girl who pronounces words from the middle (detail) from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe
 theater of speaking objects, braunschweig, 2013
 theater of speaking objects, braunschweig, 2013
 Not How People Move but What Moves Them 2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin
 Not How People Move but What Moves Them 2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 out of sight, massachusetts institute of technology, 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015
 baden baden, 2014 - 2015