Eva Koťátková – hunt kastner

Installation view from the solo exhibition "Interview with a Monster", Meet Factory, Prague, 2021, fot. Studio Flusser

Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020

Eva Kot'átková | In the Body of a Fish out of Water, installation view at Kestner Gesellschaft, 2019/2020, photo: Raimund Zakowski

The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial

Room for Restoring Empathy, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Danmark, 2019

Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Danmark, 2019

view from the exhibition Confessions of a Piping System, Kunsthal Charlottenborg, 2019

Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Danmark, 2019

Eva Kmentová: Woman in the Sun, Eva Koťátková: Woman in a Box, exhibition view, at hunt kastner, 2018

Eva Koťátková, Woman in a Box (Notes on a Play that Probably Never will be Finished), 2018

Eva Koťátková, from the series Woman in a Box, 2018, hunt kastner, 2018

Eva Koťátková, Anna, 2018 at hunt kastner, 2018

Eva Koťátková, Institution - Pause, 2018 at hunt kastner, 2018

Eva Koťátková, A Sleeping woman goes into Battle, 2018, at hunt kastner, 2018

Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio

Cutting the Puppeteer’s Strings with Paper Teeth (Brief History of Daydreaming and String Control), 2016 (detail). Kunstmuseen Krefeld, Collection of the Freunde der Kunstmuseen Krefeld e.V. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio

Diary no.3 (I-Machine), 2018 (detail). Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Head no.2: Busy Head (Hearing voices hallucination), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

The Dream Machine is Asleep, 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Head no.3: Nervous Head (Insomnia), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan

View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018

Office for eyes, nose, tongue, mouth, hand, heart and mask (that covers it all), 2017, Kolumba Art Museum, Cologne, DE

Stomach of the World, 2017, screenshot from the film, 46"16'

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Room-Trap or Database of Tormented Objects, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Documents of Violent Actions that (maybe) Happened Last Week, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Documents of Violent Actions that (maybe) Happened Last Week, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Anatomical Orchestra, 2014 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Hugo Rennert’s Influencing Machine, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Educational Model, 2010 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Group Therapy No. 23, Becoming the Object Again, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Architecture of Sleep, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Reconstruction Of Heinrich Welz’s Diagrams Of Thoughts, 2015 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Fox Trap, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

baden baden, 2014 - 2015

out of sight, massachusetts institute of technology, 2015

Not How People Move but What Moves Them 2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin

unlearning instinct, installation view, rurart, 2013

psychological theather (the feral child case), 2013

unlearning instinct, installation view, rurart, 2013

theater of speaking objects, braunschweig, 2013

Speech Organ of Anna, A girl who pronounces words from the middle from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe

Speech Organ of Anna, A girl who pronounces words from the middle (detail) from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe