Eva Koťátková

curriculum vitae

Exhibitions

Eva Koťátková, Daydreaming Workstation, 2022, documenta fifiteen: OFF-Biennale Budapest, Bootsverleih Ahoi, Kassel, 2022, photo: Frank Sperling

Exhibition view, Eva Koťátková, Interviews with the Monster, La Casa Encendida, Madrid, 2022, © La Casa Encendida/Galerna, 2022

Exhibition view, ARS22, Kiasma, Finnish National Gallery, 2022, photo: Petri Virtanen

Exhibition view, Eva Koťátková / What Does a Turtle Feel Through the Carapace?, Bildmuseet Umea, Sweden, 2022, photo: Mikael Lundgren

Exhibition view, Eva Koťátkova, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin

Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin

Exhibition view, Eva Koťátkova, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin

Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin

View from the exhibition "Eva Koťátková, Dominik Lang, Anna Žofie Langová: Flying Rescue Station - In reparation", FUTURA, Prague, 2021, photo: Jan Kolsky

Eva Koťátková, untitled, 2021, view from the exhibition "Fenomeander", DOX, Prague, 2021, photo: Jan Slavik

Flying Machine 2, 2013

from the series Not how people move, but what moves them, 2013

collage works on paper, from the series Body Parts, 2016

collage works on paper, from the series Parallel Biography, 2011-3

Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser

Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova

Eva Kot'átková | In the Body of a Fish out of Water, installation view at Kestner Gesellschaft, 2019/2020, photo: Raimund Zakowski

Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

view from the exhibition Confessions of a Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

Room for Restoring Empathy, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

Eva Koťátková, Notes of a Reclining Body, Piping System Report, 2019

The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren

Eva Koťátková, A Sleeping woman goes into Battle, 2018, at hunt kastner, 2018

Eva Koťátková, Institution - Pause, 2018, at hunt kastner, 2018

Eva Koťátková, from the series Woman in a Box, 2018, hunt kastner, 2018

Eva Koťátková, Woman in a Box (Notes on a Play that Probably Never will be Finished), 2018

Eva Kmentová: Woman in the Sun, Eva Koťátková: Woman in a Box, exhibition view, at hunt kastner, 2018

Head no.3: Nervous Head (Insomnia), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Head no.2: Busy Head (Hearing voices hallucination), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

The Dream Machine is Asleep, 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio

Diary no.3 (I-Machine), 2018 (detail). Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Cutting the Puppeteer’s Strings with Paper Teeth (Brief History of Daydreaming and String Control), 2016 (detail). Kunstmuseen Krefeld, Collection of the Freunde der Kunstmuseen Krefeld e.V. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio

View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan

View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018

Stomach of the World, 2017, screenshot from the film, 46"16'

Office for eyes, nose, tongue, mouth, hand, heart and mask (that covers it all), 2017, Kolumba Art Museum, Cologne, DE

Reconstruction Of Heinrich Welz’s Diagrams Of Thoughts, 2015 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Educational Model, 2010 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Architecture of Sleep, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Anatomical Orchestra, 2014 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Hugo Rennert’s Influencing Machine, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Fox Trap, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Group Therapy No. 23, Becoming the Object Again, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Room-Trap or Database of Tormented Objects, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Documents of Violent Actions that (maybe) Happened Last Week, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

unlearning instinct, installation view, rurart, 2013

psychological theather (the feral child case), 2013

unlearning instinct, installation view, rurart, 2013

psychological theather (the feral child case), 2013

unlearning instinct, installation view, rurart, 2013

taking a walk, 2005

drawing machine, 2006

walk to school, 2008

sit straight, 2008

walk to school, 2008

sit straight, 2008

dictation, bolzano 2009

controlled memory loss, 2010

controlled memory loss, video, 2010

controlled memory loss, 2010

two cases, brno, 2011

gugging, austrian cultural center, 2011

works on paper, 2011

re-education machine, lyons biennale 2011

work of nature, 2011

not how people move, but what moves them, 2012 - 2013

Speech Organ of Anna, A girl who pronounces words from the middle from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe

Speech Organ of Anna, A girl who pronounces words from the middle (detail) from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe

theater of speaking objects, braunschweig, 2013

Not How People Move but What Moves Them 2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin

out of sight, massachusetts institute of technology, 2015

baden baden, 2014 - 2015