Eva Koťátková: How many giraffes are in the air we breath? installation view at Nottingham Contemporary, 2023
Eva Koťátková: How many giraffes are in the air we breath? installation view at Nottingham Contemporary, 2023
Eva Koťátková: How many giraffes are in the air we breath? installation view at Nottingham Contemporary, 2023
Eva Koťátková: How many giraffes are in the air we breath? installation view at Nottingham Contemporary, 2023
Eva Koťátková: Sometimes I Imagine I am a Fish with Legs, installation view from Arter Foundation, Istanbul, 2023
Eva Koťátková: Sometimes I Imagine I am a Fish with Legs, installation view from Arter Foundation, Istanbul, 2023
Eva Koťátková: Sometimes I Imagine I am a Fish with Legs, installation view from Arter Foundation, Istanbul, 2023
Eva Koťátková: Sometimes I Imagine I am a Fish with Legs, installation view from Arter Foundation, Istanbul, 2023
Exhibition view, Eva Koťátková, Interviews with the Monster, La Casa Encendida, Madrid, 2022, © La Casa Encendida/Galerna, 2022
Exhibition view, ARS22, Kiasma, Finnish National Gallery, 2022, photo: Petri Virtanen
Exhibition view, Eva Koťátková / What Does a Turtle Feel Through the Carapace?, Bildmuseet Umea, Sweden, 2022, photo: Mikael Lundgren
Exhibition view, Eva Koťátkova, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátkova, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin
View from the exhibition "Eva Koťátková, Dominik Lang, Anna Žofie Langová: Flying Rescue Station - In reparation", FUTURA, Prague, 2021, photo: Jan Kolsky
Eva Koťátková, untitled, 2021, view from the exhibition "Fenomeander", DOX, Prague, 2021, photo: Jan Slavik
Flying Machine 2, 2013
from the series Not how people move, but what moves them, 2013
collage works on paper, from the series Body Parts, 2016
collage works on paper, from the series Parallel Biography, 2011-3
Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser
Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova
Eva Kot'átková | In the Body of a Fish out of Water, installation view at Kestner Gesellschaft, 2019/2020, photo: Raimund Zakowski
Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
view from the exhibition Confessions of a Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
Room for Restoring Empathy, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm
Eva Koťátková, Notes of a Reclining Body, Piping System Report, 2019
The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren
Eva Koťátková, A Sleeping woman goes into Battle, 2018, at hunt kastner, 2018
Eva Koťátková, Institution - Pause, 2018, at hunt kastner, 2018
Eva Koťátková, from the series Woman in a Box, 2018, hunt kastner, 2018
Eva Koťátková, Woman in a Box (Notes on a Play that Probably Never will be Finished), 2018
Eva Kmentová: Woman in the Sun, Eva Koťátková: Woman in a Box, exhibition view, at hunt kastner, 2018
Head no.3: Nervous Head (Insomnia), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
Head no.2: Busy Head (Hearing voices hallucination), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
The Dream Machine is Asleep, 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
Diary no.3 (I-Machine), 2018 (detail). Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio
Cutting the Puppeteer’s Strings with Paper Teeth (Brief History of Daydreaming and String Control), 2016 (detail). Kunstmuseen Krefeld, Collection of the Freunde der Kunstmuseen Krefeld e.V. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio
View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan
View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan
View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan
View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018
Stomach of the World, 2017, screenshot from the film, 46"16'
Stomach of the World, 2017, screenshot from the film, 46"16'
Stomach of the World, 2017, screenshot from the film, 46"16'
Stomach of the World, 2017, screenshot from the film, 46"16'
Office for eyes, nose, tongue, mouth, hand, heart and mask (that covers it all), 2017, Kolumba Art Museum, Cologne, DE
Reconstruction Of Heinrich Welz’s Diagrams Of Thoughts, 2015
view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Educational Model, 2010
view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Architecture of Sleep, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Anatomical Orchestra, 2014
view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Anatomical Orchestra, 2014
view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Hugo Rennert’s Influencing Machine, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Fox Trap, 2016
view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
Group Therapy No. 23, Becoming the Object Again, 2016
view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016
untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
Room-Trap or Database of Tormented Objects, 2016
mixed media installation, various dimensions
view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
Documents of Violent Actions that (maybe) Happened Last Week, 2016
mixed media installation, various dimensions
view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
Documents of Violent Actions that (maybe) Happened Last Week, 2016
mixed media installation, various dimensions
view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium
unlearning instinct, installation view, rurart, 2013
psychological theather (the feral child case), 2013
unlearning instinct, installation view, rurart, 2013
unlearning instinct, installation view, rurart, 2013
unlearning instinct, installation view, rurart, 2013
unlearning instinct, installation view, rurart, 2013
psychological theather (the feral child case), 2013
unlearning instinct, installation view, rurart, 2013
taking a walk, 2005
drawing machine, 2006
walk to school, 2008
walk to school, 2008
sit straight, 2008
walk to school, 2008
walk to school, 2008
sit straight, 2008
dictation, bolzano 2009
dictation, bolzano 2009
dictation, bolzano 2009
dictation, bolzano 2009
dictation, bolzano 2009
dictation, bolzano 2009
controlled memory loss, 2010
controlled memory loss, 2010
controlled memory loss, video, 2010
controlled memory loss, 2010
controlled memory loss, 2010
controlled memory loss, 2010
controlled memory loss, 2010
controlled memory loss, 2010
controlled memory loss, 2010
two cases, brno, 2011
two cases, brno, 2011
two cases, brno, 2011
two cases, brno, 2011
two cases, brno, 2011
two cases, brno, 2011
gugging, austrian cultural center, 2011
gugging, austrian cultural center, 2011
gugging, austrian cultural center, 2011
gugging, austrian cultural center, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
works on paper, 2011
re-education machine, lyons biennale 2011
re-education machine, lyons biennale 2011
re-education machine, lyons biennale 2011
work of nature, 2011
work of nature, 2011
work of nature, 2011
work of nature, 2011
work of nature, 2011
work of nature, 2011
work of nature, 2011
not how people move, but what moves them, 2012 - 2013
not how people move, but what moves them, 2012 - 2013
not how people move, but what moves them, 2012 - 2013
not how people move, but what moves them, 2012 - 2013
not how people move, but what moves them, 2012 - 2013
Speech Organ of Anna, A girl who pronounces words from the middle
from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe
Speech Organ of Anna, A girl who pronounces words from the middle
from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe
Speech Organ of Anna, A girl who pronounces words from the middle (detail)
from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe
theater of speaking objects, braunschweig, 2013
theater of speaking objects, braunschweig, 2013
Not How People Move but What Moves Them
2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin
Not How People Move but What Moves Them
2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
out of sight, massachusetts institute of technology, 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
baden baden, 2014 - 2015
Flying Machine 1, Baden Baden, 2014 - 2015