view from the exhibition The Beginning of Something Yet to be Determined, at hunt kastner, 2019
view from the exhibition The Beginning of Something Yet to be Determined, at hunt kastner, 2019
view from the exhibition The Beginning of Something Yet to be Determined, at hunt kastner, 2019
view from the exhibition The Beginning of Something Yet to be Determined, at hunt kastner, 2019
Automated Subject, view from the exhibition at Museum of National Taipei University of Education, 2019
Powerless source of all power, view from the exhibition at Museum of National Taipei University of Education, 2019
"The Powerless Source of All Power", Plato in Ostrava, 2019
"The Powerless Source of All Power", Plato in Ostrava, 2019
"The Powerless Source of All Power", Plato in Ostrava, 2019
History is Possible, 2018, installation, print on plexiglass, aluminum rod, 500x41cm, made for exhibition Who was 1968?, Nordico Stadtmuseum, Linz
History is Possible, 2018, installation, print on plexiglass, aluminum rod, 500x41cm, made for exhibition Who was 1968?, Nordico Stadtmuseum, Linz
view from solo exhibition "Peer-to-peer protocol", Trapez, Budapest, 2018, photo: Dávid Biró
view from solo exhibition "Peer-to-peer protocol", Trapez, Budapest, 2018, photo: Dávid Biró
view from solo exhibition "Peer-to-peer protocol", Trapez, Budapest, 2018, photo: Dávid Biró
view from solo exhibition "Peer-to-peer protocol", Trapez, Budapest, 2018, photo: Dávid Biró
Diderot's Dream, 2014, video installation, two full HD videos (11’05” and 2’24”) on black transparent screen
Diderot's Dream, 2014, video installation, two full HD videos (11’05” and 2’24”) on black transparent screen
Dead Reckoning, 2014, multichanel synchronised videoinstallation, HDV, 12'
Dead Reckoning (solo exhibition in Centre d’art contemporain la Synagogue de Delme), 2014
Dialectical Figure, 2013, space installation, mixed media: nylon thread, natural clay, cotton string, text, prints, photographs, metal clips, 200x200x70cm
detail of Dead Reckoning, 2014, cut-outs, nylon, clips, chalk, wooden panels, 240x1200x50cm
Dialectical Figure, 2013, c-print, mdf frame, glass, 30 x 40 cm
Dialectical Figure, 2013, space installation, mixed media: nylon thread, natural clay, cotton string, text, prints, photographs, metal clips, 200x200x70cm - view from the exhibition Measures Taken, 2014
Dialectical Figure, 2013 Object (space installation), mixed media: nylon thread, natural clay, cotton string, text, prints, photographs, metal clips, 200x200x70cm - view from the exhibition Measures Taken, 2014, photo by Thomas Splett
Dialectical Figure, 2013, space installation, mixed media: nylon thread, natural clay, cotton string, text, prints, photographs, metal clips, 200x200x70cm - view from the exhibition Measures Taken, 2014
Five Difficulties Writing the Truth, 2013, 10 pieces of 10x2000cm framed in mdf frames, glass, 107 black and white photographs - view from the exhibition Measures Taken, 2014, photo by Thomas Splett
Five Difficulties Writing the Truth, 2013, c-print, mdf frame, glass, 60x40cm
view from the group exhibition Les Ateliers Biennale D’Art Contemporain de Rennes, 2012
Assemblages Against Essences, 2009, video installation
Assemblages Against Essences, 2009, video installation
Assemblages Against Essences, 2009, video installation
Approximation of Infinite Sequences, 2015
- view from the exhibition The School of Kyiv, Klasse Karlsruhe”, Badischer Kunstverein, Karlsruhe, 2015
Approximation of infinite sequences, 2015, full HD video, 12'. A vision of the near future. Documentary description seen from a future position.
The near future as the past. Socio-fictional documentary.
Automated Subject, Entities that want to become other entities, 2016,
plexiglass, color print on paper, nylon, iron bars, 4x3m, view from the exhibition 'The Promise of Total Automation', Kunsthalle, Vienna, 2016
Automated Subject, Entities that want to become other entities, 2016, plexiglass, color print on paper, nylon, iron bars, 4x3m
Liberation or, alternatively:
Promethean Conquest
The Doctrine of Sediments
What of matter?
What direction is matter taking?
Anarchive
The Song of the Hoe
Communism of the senses, 2013,
HDV, 11'42''
5 Difficulties in Writing the Truth, 2007, SD video, 20'32'', view from the solo exhibition Vocabulary, GHMP, 2007
Model of constructivist tower 1:50, 2006, SD video installation, 4'18''
Socio-fiction, 2005-7, 16mm found footage digitalize to SD video, 6’42”