Eva Koťátková

from the series Collective Skin, 2022/2024, metal, textile, yarn

Eva Koťátková: The heart of a giraffe in captivity is twelve kilos lighter, 60th Venice Biennale, 2024, Pavilion of the Czech and Slovak Republic, photo: Aleksandra Vajd

from the series Lenka (Unlearning Instincts), 2023, collage and red ink on paper

from the series In the Body of a Fish Out of Water, 2021, collage and ink on paper (view from hunt kastner at Artissima, 2023)

from the series Lenka (Unlearning Instincts), 2023, collage and red ink on paper

from the series Psychological Theatre, 2014, collage, ink on paper, vitrine box frame (view from hunt kastner at Artissima, 2023)

from the series Get Used to My Body, I Live Quite Comfortably in It, 2022, collage, ink on paper, wooden shelves (view from hunt kastner at Artissima, 2023)

from the series Get Used to My Body, I Live Quite Comfortably in It, 2022 collage, ink on paper

Eva Koťátková: My Body Is Not an Island, as part of Ruhrtriennale 2023, installation view at Kulturkirche Liebfrauen Duisburg, photo Katja Illner

Eva Koťátková: How many giraffes are in the air we breath? installation view at Nottingham Contemporary, 2023

Eva Koťátková: Sometimes I Imagine I am a Fish with Legs, installation view from Arter Foundation, Istanbul, 2023

Eva Koťátková: My Body is Not an Island, installation view at National Gallery Prague, 2022

Eva Koťátková: Interviews with the Monster, installation view at La Casa Encendida, Madrid, 2022, © La Casa Encendida/Galerna, 2022

Installation view, ARS22, Kiasma, Finnish National Gallery, 2022, photo: Petri Virtanen

Eva Koťátková / What Does a Turtle Feel Through the Carapace?, installation view at Bildmuseet Umea, Sweden, 2022, photo: Mikael Lundgren

documenta fifiteen: OFF-Biennale Budapest, Eva Koťátková, Daydreaming Workstation, 2022, installation view, Bootsverleih Ahoi, Kassel, photo: Frank Sperling

Eva Koťátková, My Body is not an Island, installation view at CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin

Exhibition view, Eva Koťátková, My Body is not an Island, CAPC Museum of Contemporary Art of Bordeaux, curated by Sandra Patron, Bordeaux, FR, 2022, photo Arthur Péquin

View from the exhibition "Eva Koťátková, Dominik Lang, Anna Žofie Langová: Flying Rescue Station - In reparation", FUTURA, Prague, 2021, photo: Jan Kolsky

collage works on paper, from the series Body Parts, 2016

Installation view from the solo exhibition "Interviews with the Monster", Meet Factory, Prague, 2021, photo: Studio Flusser

Opening the Fish: Lessons in Acquaculture, Galerie Off Format, Brno, 2020, photo: Martina Schneiderova

Eva Kot'átková | In the Body of a Fish out of Water, installation view at Kestner Gesellschaft, 2019/2020, photo: Raimund Zakowski

Place for Speaking Out, Place for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

Place for Speaking Out, Palce for Making the Private Public, from solo exhibition Confessions of the Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

view from the exhibition Confessions of a Piping System, Kunsthal Charlottenborg, Denmark, 2019, photo: David Stjernholm

The Machine for Restorating Empathy, 2019, 16th Istanbul Biennial, photo: Sahir Ugur Eren

Eva Koťátková, A Sleeping woman goes into Battle, 2018, at hunt kastner, 2018

Eva Koťátková, Institution - Pause, 2018, at hunt kastner, 2018

Eva Koťátková, Woman in a Box (Notes on a Play that Probably Never will be Finished), 2018

Eva Kmentová: Woman in the Sun, Eva Koťátková: Woman in a Box, exhibition view, at hunt kastner, 2018

Head no.3: Nervous Head (Insomnia), 2018, installation view at Pirelli HangarBicocca, Milan, 2018. Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Stomach of the World, 2017, installation view at Pirelli HangarBicocca, Milan, 2018. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio

Diary no.3 (I-Machine), 2018 (detail). Commissioned and produced by Pirelli HangarBicocca, Milan. Courtesy of the artist. Photo: Agostino Osio

Cutting the Puppeteer’s Strings with Paper Teeth (Brief History of Daydreaming and String Control), 2016 (detail). Kunstmuseen Krefeld, Collection of the Freunde der Kunstmuseen Krefeld e.V. Courtesy of the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio

View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan

View from solo exhibition The Dream Machine is Asleep in Pirelli HangarBicocca, Milan, 2018

View from the solo exhibition, Stomach of the World, 21er Haus, Vienna, 2017-2018

Stomach of the World, 2017, screenshot from the film, 46"16'

Office for eyes, nose, tongue, mouth, hand, heart and mask (that covers it all), 2017, Kolumba Art Museum, Cologne, DE

Reconstruction Of Heinrich Welz’s Diagrams Of Thoughts, 2015 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Educational Model, 2010 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

from the series Mute Bodies, 2016, collage, ink on paper, variable dimensions, installation of 28 works on paper

Architecture of Sleep, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Anatomical Orchestra, 2014 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Hugo Rennert’s Influencing Machine, 2014, view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Fox Trap, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

Group Therapy No. 23, Becoming the Object Again, 2016 view from the exhibition Eva Koťátková, Mute Bodies (Becoming Object Again), Parc St. Léger, France, 2016

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Room-Trap or Database of Tormented Objects, 2016 mixed media installation, various dimensions view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

untitled, from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

Documents of Violent Actions that (maybe) Happened Last Week, 2016 mixed media installation, various dimensions, view from the exhibition Landscape, Form & Psyche, In Flanders Field Museum, Leper, Belgium

view from the solo exhibition Stages of Sleep, Wroclaw Museum of Contemporary Art, 2013

Not How People Move, But What Moves Them, 2012-3, series of black and white photographs combined with collage

Not How People Move but What Moves Them 2015 Triennial, Surround Audience, curated by Lauren Cornell and Ryan Trecartin

Out of Sight, Massachusetts Institute of Technology, 2015

Experiment for Seven Body Parts, Staatliche Kunsthalle Baden-Baden, 2014-5

Flying Machine 1, Baden Baden, installation view from Experiment for Seven Bod Parts, Staatliche Kunsthalle Baden-Baden, 2014-5

view from the solo exhibition Unlearning Instinct, RURART centre d'art contemporain, Rouilles, 2013

Psychological Theater (The Feral Child Case), 2013, view from the solo exhibition Unlearning Instinct, RURART centre d'art contemporain, Rouilles

Speech Organ of Anna, A girl who pronounces words from the middle from the exhibition A Storyteller's Inadequacy, Modern Art Oxford, 2013, curated by David Thorpe